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  Photo Copyright Bob Bradshaw
 
     A Novel
 
    By
    Jim Oakley
 
 
 

   Copyright © 1998 by Jim Oakley 
Chapter 21

The next morning Gus arrived with Biffer and the three walked back to Gus's place anticipating a steaming cup of coffee by the outdoor fire pit. They would spend the day in the round pen. On the way Gus explained the concept of the round pen to Ream.   
"Like its name, it's round, but it has high solid walls. These walls are higher than the horse's head. This is a safety factor because their height prevents the horse from being distracted by anything outside the pen."  
"OK," said Ream. "What happens inside when you work the horse?"  
"For us now, we are using it because it's safer place for you."  
"I mean, what do you normally use it for?"  
 "It's where the horse comes to understand how to yield. Not obey, but yield. It's all done by running the horse in circles. "  
"How's that?" asked Ream.  
"In the end, the horse comes to yield two things. First, he learns that I  determine the direction of the circle he moves in, and second, I determine when he stops running."  
"Go on."  
"As I begin to work him around, he will likely ignore me, thinking I am only a mild nuisance to endure. He will try to impress me with running, galloping, snorting and kicking up his heels. I don't try to restrain this. I just let him run it out in circles, but all in the same direction. At some point he'll tire and then stop, turning his hind end to me, looking in the opposite direction.  
This is where his education really begins. By throwing one end of a rope at the side of his hip, he will move in a direction away from the rope. It isn't necessary to hit him with the rope because I don't want to force him to move by panic or fear, rather I want to allow him to yield consciously by working at it.   
The first time the rope is tossed he thinks I am only a minor annoyance. But then, by making him run when he is tired is teaching discipline. After ten times or so, he figures out I am the one deciding when he can stop running. This is a big revelation. I start getting looks over his shoulder expressing serious registration of a new deference in his world.  
We keep this up until I sense he really gets it and understands why he is running. Patiently, he has come to understand that he is not being stampeded into running, but is being allowed a choice to work at it. The work is easier than being annoyed with the rope, especially if I express considerate thank-you's  in a comforting tone of voice. It's very important to express your sincere appreciation of his willingness. He hears the tone not the words.  
 We only stop when I say "Whoa", not when he wants to stop. If he doesn't face me when I allow him to stop, I throw the rope and he runs more. Pretty soon he figures out it is easier to face me when he stops. Then I approach him in a friendly manner. I loop the rope over his neck and gently lead him with the Principle toward me for just a step or two as I kiss to him. Then I unloop the rope, back up, and ask him to run some more circles.  
Again when we stop, I approach him, loop the rope, use the Principle, make the kissing sound; he follows a little easier because he knows the routine. Next I approach, kiss, and turn , and then walk away. That's how I give him back to himself at the right moment. Sometimes he will follow, but if he doesn't we run some more.  
Because I am allowing him to make the decision to follow, he can understand his way into doing it, or run some more. Recognize the moment, then let it happen. This is the difference between respect and fear. Fear comes from being stampeded, and bullied. When he is allowed the choice to buddy-up, soon he figures it's easier to follow an old friend who respects his right to understand. That's why when you kiss, Biff Follows you."   
"What happens if you don't use a round pen?"  
"In the old days before the round pen, horses were plain broke, and I mean their spirit was broken. Snake does it that way. You remember I mentioned Snake Buckman? Cowboys like Snake don't know the damage they do when they break the spirit, but you and I know because the same kind of thing's been done to us. I've seen Snake tie up horses, wrestle them to the ground and then cut them without an anesthetic. Maybe it's got to be done sometimes, but before the horse gets up, he hobbles him front and back; ties a rope through each hobble, and ties it around the neck, stooping the horse. The horse is left like this for three days, to "make" it subservient. During the three days the tight hobbles strip the hide from the horses hocks and the flies swarm to where it's bleeding. All the while, the horse is in shock from being cut. It's cruel and inhumane punishment, not just hobbling."   
 "Gus, what do you mean by cut?"   
"Gelded, castrated, and Snake still does it the old hard way. I've heard Snake say, It's nothing, and with hobbling the horse learns patience at the same time. Others  have heard him say, I  love it when they squeal, as the horse was being cut. Times have changed, and it's time to get the poison and ignorance out of our  grandfathers' ways. I'm interested in generating respect, not breaking spirits. That's why I use the round pen.  There's a big difference in making a horse do something, and allowing him to do it."  
"How come they used to be so hard on horses, Gus?"  
"There is an old idea that mankind has been given dominion over the animals. Well, whoever had this idea forgot to tell the Arab horse. That's why I have an Arab, because the Arab is too free to recognize this. I'm not sure he comes from this planet anyway. Some say he's too smart for his own good. He has to trust you in ways you can't imagine. You gotta ride to release him."   
"What  happens if you do, Gus?"   
"He will make a bargain with you, privately, and without words. It's  a  pact and bond going deeper than friendship. "  
"What kind of bargain?"  
"He'll need a loose rein and his dignity."  
"What does he give in return?"    
"He'll anticipate you. He'll be eager, not compelled, even knowing what you want before you do.  For every hour you've lost to heartache and hard times, he'll put one back, with peace and well-being. Just being with him will make your spirit swell. He'll pack your troubles out to where they don't matter.  And there, you'll fly without wings because the sky will climb higher, the grass grow greener, and life will be new all over again.   
There is a lot more, but this is a good beginning."  
The coffee was simmering on the fire when they arrived. Gus poured two cups and sat with Ream on the log saying, "Biff is a horse who don't have any holes in him. That means he doesn't have weak points. He' s extremely honest and will accomplish almost every thing you ask. He's very light to the touch."  
After their coffee, Gus helped Ream up on Biff, and before handing the reins to Ream indicated, "Many riders want constant contact with the horse's mouth through the reins. When you allow the horse to use his intuition and what he has learned about you, the reins are used only for direction, not control. Ride to release the horse.  
Remember, horse sense always chooses freedom, so stay out of his mouth, let Biff have slack until you want him to do something, then pull gently to direct him; do not control him, allow him. When he does what you want, let him have slack again."  
"I get it," said Ream.  
"To stop,  you cue him by saying, Whoa and giving him more slack in the reins so he can use his head for balance in stopping. Biff has already learned Whoa means to stop. If he doesn't stop, then you pull on the reins firmly, only if he doesn't respond to Whoa."   
Ream was holding the reins as Gus had shown him. He squeezed his legs gently cueing Biff to walk forward. Biff responded. With Gus walking along side, they advanced around the pen. "OK," said Gus, "stop when you're ready."  
Ream picked up on the reins and said, "Whoa." Biffer stopped.   
"Let's take a break, got any questions?"  
"No," said Ream dismounting, "I think I've got it." Ream patted Biff's neck and as he did so, he heard paper crackle in his shirt pocket. Remembering what it was, he took it from his pocket and handed it to Gus saying, "I have a letter here from Bob Howard, would you read it to me?"  
Gus tipped back his hat and opening the letter he read:  

"Dear Ream,   
In our ride to Prescott to hear Gus's poem I promised to send a copy of your condensed remarks about Dee Dee entitled The  Connection. I now keep a copy in my bottom desk drawer along with other quotes, some religious, some spiritual. Some have authors, some don't; truth never needs authority. Yours follows:   
  

The Connection
Through many relationships we evolve toward  that which is most terrifying; giving our secret self to the union of an "us" forever melting together. We learn to open our deepest recesses to the alchemy of someone to whom we are most vulnerable; and in the face of fear open more, and love yet even more; knowing we or they are free to leave, or free to stay.   

This final relationship is about gravity not commitment. It's letting the gravity of  total communion with another's being become the connection. There is a difference between letting someone love you and obligating someone to love you.    

Intimate love will never be owned nor willed. It must be released. It is a gift from the heavens. The mystery of how one can unlock another from the inside out by letting go, and then emerge as a fuller self  by becoming part of the "us" is the great miracle.   

It's a mutual surrender to the divinity in the other, because the soul will not rest until it finds this mystical completion and this freedom."    

"It's a heap of insight, what do you think, Gus?"  
"Certainly people are different from horses.  But it sounds to me like not being able to put a horse into a trailer until he is ready. It's the same difference between making a horse do it and allowing him to do it. It's the Principle again."  
Ream smiled gently in deep recognition.  
"OK," said Gus, "let's ride some circles."  
Ream mounted and Gus handed him the reins saying, "To do this, reach down the rein on the side you wish to turn and pull gently. At the same time press gently with your leg which  is on the outside of the turn."   
Ream collected himself and then tried the circle. Then he observed, "I get it, I feel like he'll steer with only my legs. He turns so easily and so lightly."  
"You're right. If you're doing it right, you could really ride him with a piece of thread instead of the reins." 
 

 
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